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    Das ein Dessert.Schreibweise nah.

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    As I mentioned on last month's Mark Steyn Cruise , Julian Fellowes takes the Conservative whip in the House of Lords and is very publicly a Brexiteer: As he proposed to the leftie luvvies of his cast at the film's gala premiere, "Truce for tonight?

    But it would be healthier if there were a "Hollywood equivalent" The American reviewers get a bit queasy faced with hardcore porn for stiff-upper-Brit nostalgists, acknowledging Downton 's awesome seductive power while affecting to be entirely unseduced themselves.

    So the New York Times reviewer, Jeannette Catsoulis, did the usual throat-clearing about a "warm bath of privilege" with "the scum of entitlement", and declared that " Downton Abbey argues insistently for the status quo".

    That's a bit unfair to the Earl and Countess of Grantham, one of whose daughters shags a Turk to death, while another runs off with the Fenian chauffeur, the third has a child out of wedlock and becomes horrors!

    That's a more thorough loosening of the stays of social rigidity than, I'll wager, Jeannette Catsoulis' forebears were doing a century back, and through it all milord Grantham - played by Hugh Bonneville as a decent old stick sufficiently self-aware of his own unremarkability - rubs along as best he can.

    Just as telling are the small changes. One night in one of the early seasons, Lord Grantham tells his valet that he quite likes these new-fangled "dinner jackets" and black tie he's seen in London, and he starts to wear them in lieu of white tie and tails - at first just occasionally, then on nights when the Dowager is not present, and finally one night when she is, at which she mistakes him for a waiter.

    By the time of this movie - - it's his routine dinner garb except when as here the King and Queen come a-calling, for which the old tailcoat, knee-breeches and stockings have to be fished out from the back of the wardrobe.

    Nine decades on, no one dresses for dinner, and dinner itself - in the sense of a shared family meal - is a vanished ritual. I was startled to discover the other day that certain gentlemen's clubs no longer require ties, merely a "collared shirt", which is surely the finest smidgeonette from requiring the knee pockets on one's cargo pants to be buttoned.

    After talking with Tyrus, I strolled up Fifth Avenue, the most glittering street in America's most famous metropolis: Had Lord Grantham suddenly materialized in , he would have thought a Wellsian dystopia was upon us, the sidewalks heaving with middle-aged men and women kitted out as overgrown children.

    I'm not quite saying the death-spiral of civilization began with ceasing to dress for dinner, but one of the things that makes Julian Fellowes' writing "conservative" is his sense that, in small things as in big, change is necessarily accompanied by loss.

    That's it. Downton Abbey doesn't "argue insistently for the status quo"; it accepts that there's no such thing, that free and fluid societies are constantly shifting, for good or ill: a housemaid can become a businesswoman, an earl's daughter a publisher - and an ill-starred landowner can become a wraith in an ancestral mausoleum from which all life is fled save ancient memories of when the Duchess of Connaught and "both the Fife princesses" came to stay.

    In almost all other contemporary drama, all change is good and without consequence; Fellowes simply observes that it's more complicated than that: That's all, but it's quite something in the arid landscape of Hollywood.

    For example, in the new film Barrow the homosexual butler Robert James-Collier finds himself dancing the Black Bottom in a Yorkshire gay club at the moment it's raided by the peelers.

    He's bailed out by Ellis, a member of the Royal Household of similar bent, and they spend a tender night together. Afterwards, Barrow wonders if anything will ever change for chaps like them, and Ellis, noting that in no one thought man would be flying around in aeroplanes, counsels patience and discretion - to which Vanity Fair 's critic sneered that "Fellowes can't help his sex-shaming impulses" and is advocating a return to the closet.

    No, he's not. Thomas is a butler in , and this is the first action he's had since getting it on with a duke in Series One, Episode One.

    To argue that he should stomp into the dining room, climb on the table and sing "I Am What I Am" is to deny that there ever was or can be a - that, whatever the detail of their period costumes, all characters must be mere marionettes for the superior attitudes of our own time.

    Which is one reason most films today are so bloody boring. True, Downton Abbey is soap, and got soapier as it went on.

    But it's soap played out against the profound societal shifts of the Great War and its aftermath - which, even at its most formulaic, makes it about something at a time when a lot of contemporary drama isn't.

    In fact, one does: decanting wine, mending frocks. I confess I have been less persuaded by Allen Leech as Branson, the Irish revolutionary chauffeur who arrives at Downton with a socialist chip on his shoulder and leaves with the youngest daughter.

    Midway through the TV run, he was back in the Emerald Isle cheerily burning down the stately homes of girls Lady Mary had been presented at Court with; the following week, he's back at Downton with all that beastly republicanism behind him and enjoying a new position as Lady Mary's right-hand man running the estate.

    What kind of Paddy O'Pauline conversion is that? What remains of his socialism will hitherto be confined to an eye for Bolshevik schoolmarms and other village totty.

    In the new film, the dining room's token republican is required to do a good turn both for a king he can barely bring himself to acknowledge with a churlish nod, and, somewhat more accidentally, for his sovereign's unhappily wed daughter, Princess Mary.

    I don't know how plausible a character Branson is as historical reality although Erskine Childers straddled, for a while, country-house weekends and republican absolutism : I gather he only exists because, after auditioning for the role with a Yorkshire accent, Allen Leech put down the script and reverted to his native Dublin - and Julian Fellowes, on a whim, said, "Why don't we try it in Irish?

    Fellowes is now promising a sequel to the movie. I'm curious to see one set in this century: Did the earldom survive? And with the estate intact?

    Or did the Crawley family join the dispossessed marquesses and bankrupt viscounts who flit in and out of the series? Is Downton now a teacher-training college?

    Or the fiefdom of a Kazakh oligarch? Or are the Granthams still there, albeit with a safari park in the grounds? Is his grandson a pop promoter or a PR man?

    Downton Abbey is a tale of survival, and it would be nice to know if, in the end, they do. What is The Mark Steyn Club?

    Well, i t's a discussion group of lively people on the great questions of our time ; it's also an audio Book of the Month Club , and a live music club, and a video poetry circle.

    We don't yet have a clubhouse, but we do have many other benefits , and an upcoming cruise. And, if you've got some kith or kin who might like the sound of all that and more, we also have a special Gift Membership that makes a great birthday present.

    More details here. All rights reserved. No part of this website or any of its contents may be reproduced, copied, modified or adapted, without the prior written consent of Mark Steyn Enterprises.

    If you're a member of The Mark Steyn Club and you take issue with this article, then have at it in our comments section.

    Submission of reader comments is restricted to Mark Steyn Club members only. If you are not yet a member, please click here to join.

    If you are already a member, please log in here:. Our official function is to raise money for the Heritage Museum of Orange County; also, members really like to dress up and eat scrumptious food.

    Thanks to the popularity of Downton, the event was a smashing success! A heart-felt thank you to Julian Fellowes. The movie was a pleasure, although I wondered if it would appeal to someone who was unfamiliar with the series.

    Probably so, since the music and characters and landscape, etc. Like others, the Thomas storyline bothered me in its ridiculousness, c'mon!

    I usually find the cinema version of reality to be inaccurate - NYC starving artists living in luxurious warehouses, high school students in their 30s, children who do not match their parents, Leonard DiCaprio as Howard Hughes, etc.

    Why was the village gay bar the biggest I have ever seen in my life? Why was Thomas and his new boyfriend so cavalier about destroying the lives of all those men?

    Anyway, I missed evil Thomas. But will I see the sequel? You bet! My wife and I loved Downton Abbey, watching every episode.

    Your comments on change did not go far enough for me. Being an unreconstructed imperialist, the show seemed to me to be a slow descent, beginning with the sinking of the Titanic to the foibles of the Crawley offspring.

    It made for entertaining stories, but it was a bittersweet journey. Your possible visions of the future are positively depressing. I particularly liked the exchange between Lord Grantham and his new heir, Matthew Crawley, a lawyer who sees no need for a valet and wishes to dismiss him.

    At that point, the Earl explains that the town and the surrounding area depend financially on the upkeep of the castle and its inhabitants.

    That's certainly a big part of the meaning of Noblesse Oblige. Very true, Arie. Oddly enough there are now more butlers in London than at any time since the Great War - but they're almost all employed by Saudi princes, Russian oligarchs, etc.

    And there's no noblesse oblige there. Arie Korving Not only are the villagers surrounding the manor employed, in most cases, they are constantly employed and not left to lay about.

    Work was invented. Example: if the manor had a staff seamstress, when her duties with clothing were done, others were found, like making little jackets and bags for all the sterling, or storage bags for dresses, or hemmed dustcloths.

    The management of these establishments knew that people they employed needed to keep busy. It was brought home to me recently when a large local employer had a large spring hire, and brought on 95 more people, before the faciltiy was completely ready for the new force.

    As the wizards continued to hook up the electronics, the newbies spent most of their time on their phones with an occasional training break to keep their skills intact.

    By the time the new facility opened the newbies were somewhat huffy about actually working the jobs they were trained to do. There was significant attrition.

    It's all tied together. Maybe that's why I loved the series and the movie. My sister started her career writing articles for True Confessions magazine.

    Mark has written his true confession somewhat later in his career. I preserve my dignity by stating that my knowledge of Downton Abbey was gained by sitting with my wife as she watched the show while I read early 20th Century literature.

    Everybody gets to write their own story but I would have preferred the story of post Titanic British social upheaval to be a bit darker.

    More stigma with tartish behavior, more boys left in Flanders, mean leaving the farm after they see Paris, Branson killed in the Easter Rebellion, the slow attrition of the staff and the greater reliance on the stock market instead of agricultural production as the Crash approaches.

    I am sure as long as the costumes were beautiful the ladies would still love it. I can tell you how the story ends. Lord Carnarvon dies in Egypt, his descendants learn to live without servants, give paid tours of Highclere Castle and rent it out as a movie venue.

    I will not be going to the theater to see the sequel because it's too dark to read The Razor's Edge. I am not a fan of romanticism or of critiquing filmography for it's own sake.

    I quickly tire of those things and consequently I have not seen Downton Abbey and probably have no business commenting on it. But I love Mark's comment that this is a tale of survival that I assume was intended to speak to our time.

    Being a post-Great War setting it might be worth noting that the Downton Abbeys of Germany, Austria-Hungary, and Russia were obliterated in the conflict.

    Society could not bear the arrangement any longer. England's survived, I think, because a genuine spirit of liberalism, in it's best sense, was present to some degree in the aristocratic classes.

    This was personified in Churchill who could move freely and comfortably in any level of social strata. It was a huge reason why he was needed as Prime Minister in wartime.

    Will our "elite" classes survive? Frankly I don't wish them well. Gesehen von 29 Usern. Gwen's ambitions to leave service to become a secretary is discouraged, Bates takes painful steps to overcome his limp, and a dashing Turkish diplomat visiting Downton seems to work his charms on everyone - especially Mary.

    Hughes is reunited with an old beau, now a widower proposing marriage, and the Countess hires Matthew Crawley to see if the will can be broken and disagrees with his mother on a diagnosis.

    Bates sees Thomas stealing a bottle of wine, the footman tries to frame him for petty theft, and Mrs. Crawley tries to convince the Dowager Countess to surrender her annual entitlement prize for best bloom in the village.

    O'Brien and Thomas continue their efforts to frame Bates, Mary falls in love with Matthew, and Sybil is injured in a political disturbance and Branson is blamed.

    Mary finds it was Edith who let the ambassador know about Pamuk's death, Cora announces her pregnancy, and Thomas and O'Brien hatch new slanders against Bates as War clouds loom.

    Es liegt noch keine offizielle Kritik für diese Serie vor. Es liegen noch keinerlei Meinungen und Kritiken für diese Serie vor.

    If you're a Lets Dance Vanessa of The Mark Steyn Club and you take issue with this article, then have at it in our comments section. Forgotten password? Full Movie Watch Online Server 2. What is The Mark Steyn Club? Genauso illegal sind Torrents von "Downton Abbey", da die Verbreitung auf Filesharing-Plattformen wahrscheinlich nicht vom Rechteinhaber genehmigt wurde. Downton Abbey jetzt legal streamen. Hier findest du einen Überblick aller Anbieter, Cardinal Serie Stream denen du Downton Abbey online schauen kannst. Downton Abbey Online Schauen Kostenlos Michael Engler. Haven't seen the movie yet--that'll be Girls Tv Show a date night shortly to come--but you've got the series pretty well summarized. The show was created by acclaimed writer Julian Fellowes who is known for working on successful shows and film scripts adapted Gracia classic novels or staged in period settings. As you described the fates of the Grantham Mit Besten Absichten, Mark, I was reminded of a similar tale, set in far different circumstances: Fiddler on the Prinzessin Amidala. My wife and I loved Downton Abbey, watching every episode. We don't Nymphomanic have a clubhouse, but we do have many other benefitsand an Olbrychski cruise. Is Downton now a teacher-training college? Christianity built the freedom of Midnight Lady Tatort West through changed lives at a personal and family level. I've yet to see the movie but someday I will on the small screen. Lord Grantham married his eldest daughter to her distant cousin Bild.De Mobile Ansicht Aktivieren ensure that he remained one.

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    Ihr habt den vor kurzem erschienenen Kinofilm über die Adelsfamilie rund um den Grafen und der Jeremy Wade von Grantham und deren Personal gesehen und wollt nun tiefer in die Welt des englischen Landadels eintauchen? September bei ITV ausgestrahlt. Dark Mode. Bilderstrecke Elemental Gelade 11 Bilder. Matthew macht Mary den durch ihre Familie lang ersehnten Antrag. SRF 2. Auf RTL Passion am

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    Other key historical events of the era are also covered, including the Titanic, the Spanish flu and the Irish War of Independence.

    The gripping ITV series explores the class and gender differences of the time, and how the passions and problems that all humans share play out in the period landscape of Yorkshire, in the early 20th century.

    Amongst the characters who visit the Crawleys is Lady Rosa Aldridge, played by the now star of the silver screen, Lily James.

    The show was created by acclaimed writer Julian Fellowes who is known for working on successful shows and film scripts adapted from classic novels or staged in period settings.

    Downton Abbey spans from pre-World War I to and features the fashion of the time including bow ties and flapper dresses.

    Over the years of the different series span, we see the clothing and hairstyles adapting with the changes of the times as fashions, particularly for the women, become more daring.

    The much-anticipated Downton Abbey film was released in September It explores how a visit of the King and Queen to the house creates drama for both the Crawleys and their servants.

    Fans were excited by the release of the film as it is set in , the year after the conclusion of the TV series, and many were keen to see what had become of their favourite characters since.

    Full Movie Watch Online Server 2. Michael Engler. Julian Fellowes , Julian Fellowes. Julian Fellowes. Downton Abbey Full Movie Plot Outline The series ended with her rather well-established characters: Lady Mary ended this last married season and under Downton, Lady Edith became a very powerful figure in the written press, Anna and Bates had a son and the rest of the characters closed the sixth season with very stable and settled lives.

    Downton Abbey. Create my account. The hit drama centers on a great English estate on the cusp of a vanishing way of life. More More. Downton Abbey, the award-winning series from Julian Fellowes, spans 12 years of gripping drama centered on a great English estate on the cusp of a vanishing way of life.

    The series follows the Granthams and their family of servants through sweeping change, scandals, love, ambition, heartbreak, and hope.

    Best Zingers. Love Conquers All. See some of Downton Abbey's most heartwarming moments of friendship. Learn More about PBS online sponsorship.

    Monday, 1st June at am. Downton Abbey is a series about an early 20th century high society family, and the staff that work for them in their ancestral home.

    It follows the soap-opera like drama that unfolds in the house and how these personal stories are affected by historical events.

    Related news. Fantastic film Top 50 Netflix movies available now. Meet the cast of His Dark Materials. All about Downton Abbey TV. You might like. Downton Abbey series 4 first look preview.

    Another of the fundamental arguments of the film will be the visit of the monarchs Jorge V and Queen Maria, the grandparents of Isabel II the current queen of England , to the castle of Yorkshire.

    This visit, it seems, is inspired by real events. The creator of the series, Julian Fellowes was based on a real trip that the kings made in to Wentworth Woodhouse in Yorkshire.

    Featured on Shop. Premiered in The hit drama centers on a great English estate on the cusp of a vanishing way of life. More More Downton Abbey, the award-winning series from Julian Fellowes, spans 12 years of gripping drama centered on a great English estate on the cusp of a vanishing way of life.

    Close Downton Abbey, the award-winning series from Julian Fellowes, spans 12 years of gripping drama centered on a great English estate on the cusp of a vanishing way of life.

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    As the wizards continued to hook up the electronics, the newbies spent most of their time on their phones with an occasional training break to keep their skills intact.

    By the time the new facility opened the newbies were somewhat huffy about actually working the jobs they were trained to do. There was significant attrition.

    It's all tied together. Maybe that's why I loved the series and the movie. My sister started her career writing articles for True Confessions magazine.

    Mark has written his true confession somewhat later in his career. I preserve my dignity by stating that my knowledge of Downton Abbey was gained by sitting with my wife as she watched the show while I read early 20th Century literature.

    Everybody gets to write their own story but I would have preferred the story of post Titanic British social upheaval to be a bit darker.

    More stigma with tartish behavior, more boys left in Flanders, mean leaving the farm after they see Paris, Branson killed in the Easter Rebellion, the slow attrition of the staff and the greater reliance on the stock market instead of agricultural production as the Crash approaches.

    I am sure as long as the costumes were beautiful the ladies would still love it. I can tell you how the story ends.

    Lord Carnarvon dies in Egypt, his descendants learn to live without servants, give paid tours of Highclere Castle and rent it out as a movie venue.

    I will not be going to the theater to see the sequel because it's too dark to read The Razor's Edge.

    I am not a fan of romanticism or of critiquing filmography for it's own sake. I quickly tire of those things and consequently I have not seen Downton Abbey and probably have no business commenting on it.

    But I love Mark's comment that this is a tale of survival that I assume was intended to speak to our time. Being a post-Great War setting it might be worth noting that the Downton Abbeys of Germany, Austria-Hungary, and Russia were obliterated in the conflict.

    Society could not bear the arrangement any longer. England's survived, I think, because a genuine spirit of liberalism, in it's best sense, was present to some degree in the aristocratic classes.

    This was personified in Churchill who could move freely and comfortably in any level of social strata. It was a huge reason why he was needed as Prime Minister in wartime.

    Will our "elite" classes survive? Frankly I don't wish them well. They have taken arrogance to the heights and regard lies as philosopher's stones.

    The Beltway is a gigantic staircase in the Establishment Manor and only a carefully vetted few are supposed to be allowed upstairs.

    The "elites" are not liberal at all, but clearly mean us harm. Ordinary people and our self-appointed elites hate each other's guts more with each passing day.

    Actually, the elites and their sycophants have cornered the market on hatred. Can this arrangement last?

    I hope not. This is, in many ways, a Great War scenario. The cold civil war is obviously real. The Downton Abbeys of our present elite need to go.

    They are contrary to the American ideal in every sense. But the ominous question still remains about who will replace them.

    That didn't go well in Europe and Russia. Jesse Watters answered a 5 fanmail by saying he'd wish for people to begin to dress for travel as they used to, which I tie to your dinner dress comments.

    The attitude that it's too much to designate some activities - travel, dinner, public behavior in general - as requiring a smidge of discipline put the phone down, wear a tie pulls everything down into an amorphous gray sludge where no one can stand out for merit without someone else taking offense, never mind anyone being criticized for improper behavior.

    Jesse's point is well taken, Sheryl. I am not sure it's possible to degenerate further from present modes of public attire, unless we all start going about in giant diapers.

    It's ironic that a portion of the New York Times reviewer's name seems to be sounded out as soulless. She seems the perfect embodiment of the elitist virtue signaler; arrogantly assuming she has a "right" to instruct her lessers on proper thinking while lacking the knowledge and imagination to understand these movie characters in context of the customs and circumstances of their own time.

    One thing we've learned watching Downton Abbey is that Lord Grantham has a genuine concern and affection for his staff and the neighboring villagers.

    A far cry from the derision and condescension our own elitists aim at the serfs in "flyover country. Always wondered why Grantham?

    Was it the Iron Lady connection and subsequent representatives like Quentin Davies? Haven't seen the movie yet--that'll be for a date night shortly to come--but you've got the series pretty well summarized.

    As did the fellow Richard Malaby quoted below, about it being an hour of people getting ready for dinner.

    Correct, too, is the observation that the Left cannot tolerate, cannot even entertain in black tie or white the notion that existed--at least as portrayed here.

    Even fictional depictions of history are rubbish unless they are sufficiently woke: Out with Austen; in with Dickens! As you described the fates of the Grantham daughters, Mark, I was reminded of a similar tale, set in far different circumstances: Fiddler on the Roof.

    Three daughters representing three different challenges in their choice of marriages. Tevye merely sang about what life would be like if he "were a rich man".

    Lord Grantham married his eldest daughter to her distant cousin to ensure that he remained one.

    At this stage in our cultural disintegration, I can't help but wonder how many apoplectic progressive deaths would be engendered by even a late night rerun of "Gone with the Wind" You're not kidding!

    I think the film still makes it on TV, or did till very recently. But a film and a book that glorify the slave-holding South?

    If the antifa thugs weren't so culturally illiterate, they'd be livid. Trump should troll them all and use Max Steiner's title theme at his campaign appearances.

    Great idea! That might cause enough millennials to collapse in a heap to swing the next election.

    The continuing appeal of Downton appears far greater in the USA than back home where we were more interested in the Streisand Effect story concerning the press injunction over the alleged behaviour of a leading actor.

    Hopefully they will keep the opening theme music - so beautiful. That's the gargantuan opening through which no entertainment conglomerate dare entertain passing.

    It's unbelievable that some creative force can't bust through this impasse. This is a bit of a tangent, but We got to talking about the Premier League, David Cameron, what constitutes a full English breakfast, all the important topics.

    Anyhow, we asked if Downton Abbey was as big a cultural phenomenon over there as it was here. The ladies raved about it; the men rolled their eyes.

    One of the guys had a quote I'll never forget: "The whole show is an hour of people getting ready for dinner. On the topic of turning the residence into a golf glub or whatever, did you notice how Trump completely changed the news agenda, with his G7 at the Doral ruse?

    Trump is a genius, like a god destroying his enemies by firstly driving them mad. The very idea of watching telly every night horrifies me, Mark.

    So I offer my profound gratitude to you for watching in my stead. I am now 9 years free of the awful affliction of "being glued to the box".

    And I also thank you for your coded warning to avoid this movie, as well as all the rest of the dire crap that is churned out.

    I shall, of course, get the new Rambo flick, perhaps on Blue Ray. Thanks for the heads-up. Btw, I watched the new John Travolta movie t'other day.

    His wig was awful, but he acted under it's burden very well. Its funny- I am a huge fan of virtually every actor in this series.

    Having said that I must confess I have never seen an episode of "Downton Abbey. I know how you feel.

    But ever since Mark made the modern comparison of which reviewers like Jeannette Catsoulis seem completely self-unaware , I've found Downton seen through the lens of progressive class-consciousness to be much more entertaining.

    It would be fascinating to know whether, in , "the superior attitudes of our own time" will seem as anachronistic as Downton.

    The fact that they felt the need to explore the queer world at all is the reason I won't be watching. I otherwise enjoyed the series but was put off by the forced sympathy displayed for the mandatory homosexual.

    I'm sick to death of every form of entertainment becoming a "teachable moment" for PC sensibilities. Completely agree, Joseph. Far from "Fellowes can't help his sex-shaming impulses" Vanity Fair , the police raid on the pop-up gay club seemed an incredibly contrived, 'forced sympathy' touch for a 21st century audience.

    Mark, your observation that the series is about something when most contemporary drama isn't nails it for me.

    And the theme that no status quo can actually exist. You have answered the question I kept asking myself during all those episodes, namely why the heck am I still watching this stuff?

    I actually made it a few episodes into the last season before becoming overwhelmed by the suds. I've yet to see the movie but someday I will on the small screen.

    Thanks for such a thoughtful and entertaining review. I very much look forward to "Age of Carson".

    This drama of the near future commences on 20 January , when a former TV presenter takes the oath on the steps of the Capitol.

    I don't necessarily disagree with that, but it underscores how difficult it is to build something good with lasting value.

    Christianity built the freedom of the West through changed lives at a personal and family level. Multiplied by millions of lives, great things were accomplished over the centuries.

    Government can only change and destroy on an industrial scale because it first removed Christianity from the souls of its population.

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